Roland Fantom-S88 Manual de usuario Pagina 200
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200
Using Fantom-S Editor
System Requirements (Mac OS)
• Operating System:
Mac OS 8.6 and 9.x
• CPU/Clock:
PowerPC G3 / 233 MHz or higher
• Memory (RAM):
128 M bytes or more
256 M bytes or more (recommended)
• Display/Colors:
800 x 600 or higher/32,000 colors or more
1024 x 768 or higher (recommended)
• Hard Disk:
80 M bytes or more
• Others
OMS 2.0 or more
*207
* Apple and Macintosh are registered trademark of Apple Computer, Inc.
209
* MacOS is a trademark of Apple Computer, Inc.
* OMS is a registered trademark of Opcode Systems, Inc.
- OWNER’S MANUAL 1
- SAVE THESE INSTRUCTIONS 2
- USING THE UNIT SAFELY 3
- IMPORTANT NOTES 5
- Contents 6
- Main Features 13
- Panel Descriptions 14
- Rear Panel 16
- Overview of the Fantom-S 17
- Rhythm Sets 18
- Performances 18
- About Memory 19
- Temporary Memory 20
- Rewritable Memory 20
- Non-Rewritable Memory 20
- About the Onboard Effects 20
- Effect Types 20
- About the Sequencer 21
- Tempo Track 22
- Beat Track 22
- Positions for Storing a Song 22
- About the Sampling Section 23
- About the [1]–[8] Buttons 24
- Moving the Cursor 25
- Modifying a Value 25
- Playing in Patch Mode 26
- Selecting a Patch 27
- Selecting Favorite Patches 28
- (Favorite Sound) 28
- Auditioning Patches 29
- (Phrase Preview) 29
- (Patch Finder) 29
- Registering a Favorite Patch 30
- Transposing the Keyboard in 31
- Octave Units (Octave Shift) 31
- Semitone Steps (Transpose) 32
- Sound (Tone On/Off) 32
- Playing Single Notes (Mono) 32
- (Portamento) 33
- Assigning a Parameter to a 34
- Controller 34
- D Beam (Assignable) 36
- Selecting a Rhythm Set 37
- Playing a Rhythm Set 38
- Creating a Patch 39
- Editing in a Graphic Display 40
- (Zoom Edit) 40
- Cautions When Selecting a 41
- Waveform 41
- Patch (Compare) 42
- Functions of Patch Parameters 43
- (General) 43
- Modifying Waveforms (Wave) 45
- Booster level 47
- Pitch Env 50
- Modulating Sounds (LFO) 56
- Cutoff Frequency 57
- Sound (Solo Porta) 58
- Miscellaneous Settings (Misc) 60
- Creating a Rhythm Set 64
- Saving Rhythm Sets You’ve 66
- Created (Write) 66
- Functions of Rhythm Set 67
- Parameters 67
- Sounded (WMT) 70
- Output Settings 75
- Playing in Performance Mode 76
- Selecting a Performance 78
- Using the Layer Screen 79
- Part 1: Strings 80
- Part 1 + Part 2: 80
- (Strings + Piano) 80
- Part 2: Piano 80
- Using the Mixer Screen 81
- Editing the Part Settings 82
- Part (Mute) 82
- List (Performance Part View) 83
- Confirming MIDI Information 83
- Creating a Performance 84
- [2 (Output Effect)] 85
- [3 (Pitch)] 86
- [4 (Offset)] 87
- [5 (Key Range)] 87
- [6 (Scale Tune)] 88
- [7 (External)] 89
- [8 (MIDI Filter)] 90
- MIDI Filter 90
- Selecting the Parameter 91
- Controlled by the Realtime 91
- (Control Setting) 91
- D Beam (Pad Trigger) 92
- D Beam (Solo Synth) 92
- Changing the Settings of the 95
- Patch Assigned to a Part 95
- Initializing Performance 96
- Settings (Init) 96
- Saving Performance You’ve 96
- Part in a Performance 97
- Waving Your Hand Over the D 98
- Beam to Modify the Sound 98
- (D Beam Controller) 98
- PAD Trigger settings 99
- (Pad-related settings) 99
- SOLO SYNTH 100
- Using Knobs or Buttons to 101
- Modify the Sound 101
- (Realtime Controller) 101
- Using a Pedal to Modify the 102
- Sound (Control Pedal) 102
- Making Control Pedal Settings 102
- Control Pedal Polarity 103
- Hold Pedal Polarity 103
- Continuous Hold Pedal 103
- Control Pedal Assign 103
- Playing Arpeggios 104
- (ARPEGGIO/RHYTHM Function) 104
- Arpeggio Settings 105
- Playing the Sounds) (Motif) 106
- Arpeggio (Arpeggio Velocity) 106
- Creating Your Own Styles 107
- Saving the Styles You Have 109
- Created (WRITE) 109
- (CHORD MEMORY) 110
- Creating Your Own Chord 111
- Saving the Chord Forms You 111
- Have Created 111
- Playing Rhythms 112
- Rhythm Pattern Settings 113
- (Rhythm Pattern Edit) 115
- Saving the Patterns You Have 116
- (Rhythm Group Edit) 116
- Saving the Rhythm Group You 117
- Have Created (WRITE) 117
- Sampling 118
- Input Effect Setup Settings 119
- Sampling Procedure 119
- Sampling Earlier in Time 121
- (Skip Back Sampling) 121
- Editing a Sample 122
- Loading a Sample 123
- Loading all Samples 123
- Unloading a Sample 123
- Deleting a Sample 123
- Displaying Sample Edit Screen 124
- Making Settings for Sample 125
- (Sample Parameters) 125
- Assigning Samples to a Pad 126
- (Assign To Pad) 126
- From Patch Mode 127
- From Performance Mode 127
- Create a Rhythm Set 128
- (Create Rhythm) 128
- Creating a Multisample 128
- (Create Multisample) 128
- Unloading a Sample (Unload) 129
- Removing Unwanted Portions 129
- Sample (Emphasis) 130
- Maximizing the Volume of a 130
- Sample (Normalize) 130
- Stretching or Shrinking a 131
- Sample (Time Stretch) 131
- Dividing a Sample into Notes 132
- Joining Two or More Samples 133
- (Combine) 133
- Saving a Sample 134
- Using the Pads 135
- Using the Clipboard to Copy 136
- Pad Settings 136
- Adjusting the Pad Settings 136
- (PAD SETTING) 136
- Assigning a Pattern to a Pad 137
- (RPS Function) 137
- Using the Pads to Play 137
- Playing Back a Song 138
- Various Playback Methods 139
- Recording Songs 141
- Recording Your Performance 142
- (Realtime Recording) 142
- Recording Tempo Changes in a 143
- Song (Tempo Recording) 143
- Loop Recording and Punch-In 143
- Recording 143
- Using Auto Punch-In Recording 144
- Record (Realtime Erase) 145
- Inputting Data One Step at a 146
- Time (Step Recording) 146
- Editing Songs 149
- Assigning a Locate Position 150
- Editing Sequencer Data Over 151
- (Track Edit) 151
- Erasing Unwanted Performance 154
- Data (Erase) 154
- Copying Phrases (Copy) 155
- Inserting a Blank Measure 156
- (Insert) 156
- Transpose the Key (Transpose) 156
- (Change Velocity) 157
- (Change Duration) 158
- Changing the MIDI Channel 158
- (Change Channel) 158
- Patterns into One (Merge) 159
- Sequencer Data (Extract) 159
- (Data Thin) 161
- Patterns (Exchange) 161
- Editing Individual Items of 162
- Sequencer Data (Micro Edit) 162
- Sequencer Data Handled by a 163
- Phrase Track/Pattern 163
- Viewing Sequencer Data (View) 164
- Moving Sequencer Data (Move) 165
- Copying Sequencer Data (Copy) 166
- Changing the Tempo Midway 166
- Through the Song 166
- Assigning a Name to a Song 167
- (Song Name) 167
- Saving a Song (Save) 168
- Saving a Song (Save Song) 169
- Saving a Song as an SMF File 170
- (Save as SMF) 170
- Loading a Song (Load) 170
- Importing a WAV/AIFF File 171
- (Import Audio) 171
- Before You Use the RPS 172
- Function 172
- Using the RPS Function While 173
- You Perform 173
- RPS Function 174
- Adding Effects 175
- Applying Effects in 178
- Performance Mode 178
- (MFX1–3) 180
- (MFX Control) 181
- Specifying the multi-effect 182
- Mastering Effect 183
- Computer via USB 184
- Importing Audio file 185
- Using a Bitmap File as a 185
- Background in the Display 185
- Canceling USB Communication 186
- Copying a File (COPY) 187
- Deleting a File (DELETE) 187
- Moving a File (MOVE) 187
- Initializing a Memory Card 187
- (Format) 187
- How to Make the System 188
- Function Settings 188
- Saving the System Settings 188
- Pedal/D Beam 189
- Keyboard 189
- System Ctrl 190
- Screen Saver 190
- Background 190
- Sync/Temp 190
- Metronome 192
- Scale Tune 194
- System Information 195
- Data Management Functions 196
- (Factory Reset) 196
- Playing in Piano Mode 197
- Adjusting the Keyboard Touch 198
- (Key Touch) 198
- Adjusting the Depth of 198
- Resonance (Resonance) 198
- Saving a Sound (Patch) 198
- Using Fantom-S Editor 199
- System Requirements (Mac OS) 200
- About V-LINK 201
- V-LINK Parameters 202
- Cautions When Installing an 203
- Wave Expansion Board 203
- How to Install a Wave 203
- Expansion Board 203
- Checking the Installed Wave 204
- Expansion Boards 204
- Installation d’une carte 205
- Vérification des cartes 206
- Expanding the Memory 207
- Checking that memory is 208
- Ajouter de la mémoire 209
- Vérifier que la mémoire est 210
- Troubleshooting 211
- Issues Related to Effects 213
- Issues Related to Saving Data 213
- Issues Related to Sequencer 214
- Issues Related to Sampling 215
- Specifications 217
- Numerics 218
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