Roland XV-88 Manual de usuario Pagina 177
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177
Chapter 9. Getting More Familiar with the XV-88 (System Functions)
Chapter 9
Polarity (D Beam Polarity)
Switches the polarity of the D Beam controller.
With a setting of REVERSE, the direction of control for the D
Beam controller will be inverted.
D BEAM RANGE
fig.04-17
Lower (D Beam Range Lower)
Specifies the lower limit of the range of the D Beam
controller. Values below this setting will not be output.
Upper (D Beam Range Upper)
Specifies the upper limit of the range of the D Beam
controller. Values above this setting will not be output.
It is not possible to set the lower limit value above the
upper limit, nor can you set the upper limit value below
the lower limit.
D BEAM SENS
fig.04-18
D Beam Sensitivity
This sets the D Beam Controller’s sensitivity. The higher the
value set, the more readily the D Beam Controller goes into
effect. Ordinarily, this is set to 5.
Phrase Preview Settings
(PREVIEW)
Specifies how the phrase will play when you press [PHRASE
PREVIEW].
SYSTEM PREVIEW
fig.09-21
Preview Mode (Preview Sound Mode)
SINGLE: The notes specified by Note 1–4 will sound
successively one by one.
CHORD: The notes specified by Note 1–4 will sound
simultaneously.
PHRASE: The Phrase associated with the Patch’s type/
category is played.
PREVIEW KEY
fig.09-22
Note 1–4 (Preview Note Set 1–4)
Specify the pitch (C-1–G9) of the four notes that will sound
when the Preview Mode parameter is set to either SINGLE or
CHORD.
If PHRASE is selected for the Preview Mode parameter,
these settings will have no effect.
PREVIEW VELOCITY
fig.09-23
Note 1–4 (Preview Velocity)
Specify the velocity (0–127) of the four notes that will sound
when the Preview Mode parameter is set to either SINGLE or
CHORD.
If PHRASE is selected for the Preview Mode parameter,
these settings will have no effect.
- OWNER’S MANUAL 1
- IMPORTANT SAFETY INSTRUCTIONS 2
- SAVE THESE INSTRUCTIONS 2
- USING THE UNIT SAFELY 4
- Important Notes 5
- How to Use This Manual 6
- Contents 10
- Main Features 13
- Front and Rear Panel 14
- EFFECTS Section 15
- GROUP Section 16
- BANK Section 16
- Rear Panel 17
- How the XV-88 Is Organized 19
- WG (Wave Generator) 20
- TVF (Time Variant Filter) 20
- TVA (Time Variant Amplifier) 20
- Envelope 20
- Rhythm Sets 21
- Performances 21
- Setting the MIDI Connection 22
- (Zone and Part) 22
- Number of Voices 23
- Basic Operations on the XV-88 24
- About the Function Buttons 25
- About the Cursor Buttons 26
- Modifying a Value 27
- Assigning a Name 28
- Chapter 2. Playing 29
- (Patch Finder) 30
- Using Phrase Preview to Play 32
- Thin (Turning a Tone On/Off) 32
- Playing Single Notes (Solo) 33
- (Portamento) 33
- Playing in Performance Mode 34
- Selecting a Performance 35
- Local Switch: On 36
- Playing Along with Song 37
- Playback (XV-88 Used as a 37
- Sound in Realtime 38
- Playing in Rhythm Set Mode 39
- Playing Arpeggios 41
- (Arpeggiator) 41
- Playing an Arpeggio Over a 43
- Preset Keyboard Area 43
- Holding an Arpeggio 43
- Simulating a Rhythm Guitar 44
- Playing an Arpeggio from an 44
- Creating an Arpeggio Pattern 44
- Moving Your Hand Above 45
- Apply Effects 45
- (D Beam Controller) 45
- Convenient Functions for 47
- Transposing the Keyboard in 48
- Semitone Steps (Transpose) 48
- Making Settings While 50
- Part (Part Copy) 50
- Functions of Performance 51
- (EFFECTS) 52
- VELO CRV (Velocity Curve) 53
- MONO/POL (Mono/Poly) 55
- Changing the Settings of the 56
- Patch/Rhythm Set Assigned 56
- Chapter 4. Zone Settings 57
- Local Switch 58
- Transmit Switch 58
- Setting the Keyboard Range 59
- (KEY RANGE) 59
- Controlling External Sound 60
- Module (EXT CONTROL) 60
- (D BEAM) 63
- Zone (INFO) 64
- How a Patch Is Organized 65
- How to Make the Patch 66
- Settings 66
- Tone (Tone Copy) 68
- Cautions When Selecting a 68
- Waveform 68
- Functions of Patch 69
- High note range 70
- Pitch difference from 70
- Parameter value 70
- Low note range 70
- Chapter 5. Creating Patches 71
- PATCH TEMPO 71
- PATCH MODIFY 71
- TMT VELO CONTROL 72
- (TMT Velocity Control) 72
- TMT KEY RANG (TMT Key Range) 73
- STRUCT (Structure) 73
- Setting Effects for a Patch 75
- Sounds Are Played (CONTROL) 76
- MATRIX CONTROL 1–4 79
- Modifying Waveforms (WAVE) 81
- TONE DELAY 82
- Modulating Sounds (LFO) 83
- LFO1/LFO2 FADE 84
- LFO1/LFO2 DELAY 84
- How to Apply the LFO 84
- LFO DEPTH 1:2 85
- Modifying Pitch (PITCH) 86
- Sound with a Filter (TVF) 87
- TVF VELOCITY 89
- TVF ENVELOPE 89
- Adjusting the Volume and Pan 90
- PAN MODULATE 91
- How a Rhythm Set Is 93
- Organized 93
- How to Make the Rhythm 93
- Set Settings 93
- Functions of Rhythm Set 96
- (CONTROL) 97
- Modifying Waveform of a 98
- Rhythm Tone (WAVE) 98
- Modifying Pitch of a Rhythm 100
- Tone (PITCH) 100
- Rhythm Tone (TVF) 101
- Frequency 102
- Note off 103
- TVA VELOCITY 104
- TVA ENVELOPE 104
- Chapter 7. Adding Effects 105
- Applying Effects in Patch 106
- Mode or Rhythm Set Mode 106
- Audio Signal Flow 107
- Patch/Rhythm Set 107
- Selecting the Way the Direct 108
- Sound is Output 108
- The Settings for Each Tone/ 109
- Rhythm Tone 109
- Applying Effects in 111
- Performance Mode 111
- Performance 112
- Making Multi-Effects Settings 114
- MFX PRM (MFX Parameter) 115
- MFX CTRL (MFX Control) 115
- MFX OUT (MFX Output) 116
- Multi-Effects Types 117
- 02: OVERDRIVE 119
- 03: DISTORTION 120
- 04: PHASER 120
- 05: SPECTRUM 121
- 06: ENHANCER 121
- 07: AUTO WAH 122
- 08: ROTARY 122
- 09: COMPRESSOR 123
- 10: LIMITER 123
- 11: HEXA-CHORUS 124
- 12: TREMOLO CHORUS 124
- 13: SPACE-D 125
- 14: STEREO CHORUS 125
- 15: STEREO FLANGER 126
- 16: STEP FLANGER 126
- 17: STEREO DELAY 127
- 18: MODULATION DELAY 128
- 19: TRIPLE TAP DELAY 129
- 20: QUADRUPLE TAP DELAY 130
- 21: TIME CONTROL DELAY 131
- 22: 2VOICE PITCH SHIFTER 131
- 23: FBK PITCH SHIFTER 132
- (Feedback Pitch Shifter) 132
- 24: REVERB 133
- 25: GATED REVERB 133
- 26: OVERDRIVE→CHORUS 134
- 27: OVERDRIVE→FLANGER 134
- 32: ENHANCER→CHORUS 136
- 33: ENHANCER→FLANGER 136
- 34: ENHANCER→DELAY 137
- 35: CHORUS→DELAY 137
- 36: FLANGER→DELAY 138
- 37: CHORUS→FLANGER 138
- 42: KEYSYNC FLANGER 140
- 43: FORMANT FILTER 141
- 44: RING MODULATOR 142
- 45: MULTI TAP DELAY 143
- 46: REVERSE DELAY 144
- 47: SHUFFLE DELAY 145
- 48: 3D DELAY 146
- 49: PITCH SHIFTER 147
- 50: LOFI COMPRESS 147
- 51: LOFI NOISE 148
- 52: SPEAKER SIMULATOR 148
- 53: OVERDRIVE 2 149
- 54: DISTORTION 2 149
- 55: STEREO COMPRESSOR 150
- 56: STEREO LIMITER 150
- 57: GATE 151
- 58: SLICER 151
- 59: ISOLATOR 152
- 60: 3D CHORUS 152
- 61: 3D FLANGER 153
- 62: TREMOLO 154
- 63: AUTO PAN 155
- Making Chorus Settings 156
- CHO PRM (CHO Parameter) 157
- Making Reverb Settings 158
- Functions of Parameters 159
- REV OUT (REV Output) 160
- Copying Another Effect 161
- Setting (Effects Copy) 161
- About Memory 162
- Temporary Memory 163
- Rewritable Memory 163
- Non-Rewritable Memory 163
- Saving to Internal Memory 164
- Registering Favorite Patches/ 165
- Saving to an External MIDI 166
- Saving a Group of Tones to 167
- How to Make the System 168
- Function Settings 168
- Functions of System 168
- Parameters 168
- MIDI Settings (MIDI) 169
- PATCH MIDI 170
- RECEIVE MIDI 170
- Keyboard and Controllers 171
- Settings (CONTROL) 171
- HOLD PEDAL 172
- CONTROL PEDAL 1, 2 172
- Adjusting Tuning (TUNE) 173
- KEY SCALE 174
- ARPEGGIO 174
- Octave Range 175
- 90 10 90 10 176
- 50 50 50 50 176
- Phrase Preview Settings 177
- (PREVIEW) 177
- Wave Expansion Board and 178
- About Utility Mode 179
- Basic Procedure in Utility 179
- Storing Sound Data in User 180
- Memory (WRITE) 180
- Saving a Patch 181
- Saving a Rhythm Set 181
- Copying Sound Generator 182
- Settings (COPY) 182
- Copying a Patch 183
- Copying a Rhythm Set 184
- Initializing Sound Generator 185
- Settings (INIT) 185
- Transmitting Sound Settings 185
- Type (Data Type) 186
- Block (Source Block) 186
- Destination 186
- Protecting the Internal 188
- Memory (PROTECT) 188
- Memory Card-Related 188
- Settings (CARD) 188
- Original file name 189
- New file name 189
- Loading a File from Memory 190
- Card into the XV-88 (LOAD) 190
- Saving Data to Memory Card 190
- Recalling Factory Default 191
- Settings (FACTORY RESET) 191
- Entering GM Mode 192
- Modifying GM Mode Settings 193
- Mode (EFFECTS) 194
- MIDI (MIDI) 195
- Each Part (INFO) 197
- Convenient Functions in GM 198
- Mode (GM Utility) 198
- Techniques for Using Patches 199
- Playing Phrase Loops in Sync 201
- Using the XV-88 to Play Live 202
- Using External MIDI Devices 203
- Controlling an External MIDI 204
- Sequencer from the XV-88 204
- MIDI OUT 205
- MIDI Keyboard 205
- Changing the Multi-Effects 206
- Device in Realtime 206
- External MIDI Device 206
- Selecting Patches 207
- Selecting Rhythm Sets 207
- Enjoying Desktop Music 208
- (Local OFF) 211
- How MIDI Messages Are 212
- Exchanged with a Computer 212
- Appendices 213
- Troubleshooting 214
- When Using Sequencing 217
- Cannot Use Memory Cards 217
- Error Messages 218
- Quick Reference of Procedures 220
- Patch Mode 221
- Rhythm Set Mode 222
- Controller Settings 223
- Saving and Loading Data 225
- Parameter List 230
- -64– +63 P 231
- -63– +63 P 231
- Zone Parameters 232
- Patch Parameters 233
- EFFECTS Group (p. 75) 234
- CONTROL Group (p. 76) 235
- WAVE Group (p. 81) 235
- LFO Group (p. 83) 236
- PITCH Group (p. 86) 236
- Rhythm Set Parameters 237
- EFFECTS Group (p. 97) 238
- CONTROL Group (p. 97) 238
- WAVE Group (p. 98) 238
- PITCH Group (p. 100) 239
- TVF Group (p. 101) 239
- TVA Group (p. 103) 239
- GM Mode Parameters 240
- Multi-Effects Parameters 241
- Chorus Parameters 248
- Reverb Parameters 249
- System Parameters 250
- Performance List 252
- Patch List 253
- PR-F (Preset F Group) 256
- PR-H (GM2 Group) 257
- Rhythm Set List 258
- Waveform List 263
- Arpeggio Style List 268
- About MIDI 269
- 1. Receive data 270
- MIDI Implementation 271
- 00H = -64 [cents] 275
- 2. Data Transmission 276
- 3. Parameter Address Map 279
- 00 00 00H Rhythm Common 294
- MIDI Implementation Chart 296
- Specifications 298
- For Apple Macintosh 299
- For PC (9-pin) 299
- For PC (25-pin) 299
- Attack time offset 300
- Apparatus containing 311
- Lithium batteries 311
- Information 312
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