Roland Fantom-S Manual de usuario

InformationWhen you need repair service, call your nearest Roland Service Center or authorized Roland distributor in your country as shown below.As

10Contents Recording Songs ...141 Two Recording Metho

100Modifying the Sound in Real TimeSOLO SYNTH On the Fantom-S you can play a monophonic synthesizer whose pitch is controlled by the D Beam. 1. Hold

101Modifying the Sound in Real Time Modifying the Sound in Real Time LFO Osc 2 Pitch Depth Specifies the depth to which the LFO will modulate the OSC

102Modifying the Sound in Real TimeAssignable Switch Settings 1. Hold down [JUMP] and press a ASSIGNABLE SW button. The Switch screen appears. fig.13

103Modifying the Sound in Real Time Modifying the Sound in Real Time Control Pedal Assign This specifies the function of each pedal connected to the

104 Playing Arpeggios (ARPEGGIO/RHYTHM Function) About Arpeggio The Fantom-S’s Arpeggio function lets you perform arpeggios (chords in which notes ar

105Playing Arpeggios (ARPEGGIO/RHYTHM Function) Playing Arpeggios (ARPEGGIO/RHYTHM Function) When Using a Hold Pedal If you play an arpeggio while pr

106Playing Arpeggios (ARPEGGIO/RHYTHM Function)Changing the Beat and Shuffle (Grid) This sets the particular note division and resolution in a “singl

107Playing Arpeggios (ARPEGGIO/RHYTHM Function) Playing Arpeggios (ARPEGGIO/RHYTHM Function) Selecting the Part that Will Play Arpeggios in Performan

108Playing Arpeggios (ARPEGGIO/RHYTHM Function) • Tie: [2 (Tie)] Input a tie at the cursor location and proceed to the next step.• Rest (Clear): [3 (

109Playing Arpeggios (ARPEGGIO/RHYTHM Function) Playing Arpeggios (ARPEGGIO/RHYTHM Function) Saving the Styles You Have Created (WRITE) The Styles y

11Contents Saving a Song with Samples (Save Song+Samples)... 168Saving a Song (Save Song)

110 Using the Chord Memory Function (CHORD MEMORY) About the Chord Memory Function Chord Memory is a function that allows you to play chords based o

111Using the Chord Memory Function (CHORD MEMORY) Using the Chord Memory Function (CHORD MEMORY) Creating Your Own Chord Forms Not only can you use

112 Playing Rhythms About Rhythm Patterns The Fantom-S contains 256 preset rhythm patterns. You can play a variety of rhythm patterns simply by press

113Playing Rhythms Playing Rhythms Select the Rhythm Group 1. Press ARPEGGIO/RHYTHM [SELECT/EDIT]. 2. Press [1 (Rhythm Group)]. A screen like the one

114Playing Rhythms 1/16: Sixteenth note (four grid sections = one beat) 1/16L: Sixteenth note shuffle Light (four grid sections = one beat, with a li

115Playing Rhythms Playing Rhythms Creating Your Own Styles (Rhythm Pattern Edit) Not only can you use the prepared internal Rhythm Pattern that d

116Playing RhythmsInitializing the Rhythm Pattern that You are Editing (Init) 1. Access the Rhythm Pattern Edit screen. 2. While holding down [SHIFT]

117Playing Rhythms Playing Rhythms Saving the Rhythm Group You Have Created (WRITE) The Rhythm Group you create are temporary; they are deleted as s

118 Sampling The Fantom-S lets you sample audio sources, such as an audio device, mic, or CD.This section explains the sampling procedure and what th

119Sampling Sampling Input Effect Setup Settings 1. Press [INPUT SETTING], and then press [7 (In FX Setup)]. The Input Effect Setup screen appears. 2

12Contents Background...

120Sampling • Solo sampling:[5 (Solo)] While playing the internal sound generator as usual, sample only the sound from the external input. * Effects

121Sampling Sampling When you finish sampling, the sample will automatically be added to the sample list. Press [SAMPLE LIST] to view the sample list

122 Editing a Sample This section explains how you can edit a sample that you sampled/importedEditing is performed in sample memory—a memory area ded

123Editing a Sample Editing a Sample Loading a Sample Here’s how you can load a sample from the user area, a memory card, or a preset into sample mem

124Editing a Sample Importing a Audio File Here’s how an audio file (WAV/AIFF) can be loaded into memory as a sample. Place the audio files in the “T

125Editing a Sample Editing a Sample Setting the Start/End Points of the Sample You can specify the portion of the sample that will actually sound.

126Editing a Sample ONE-SHOT The sample will be played back only once, from the Start point to the End point. fig.loop2 REV (Reverse) When the sample

127Editing a Sample Editing a Sample fig.SMPL18_50 4. Press or to select the part, and then press [8 (Select)]. If a rhythm set is not assigned t

128Editing a Sample A message will ask you for confirmation. 6. Press [8 (Exec)]. The sample will be assigned (as a patch) to the specified part.To c

129Editing a Sample Editing a Sample If you want to select two or more samples from the sample list, press [5 (Mark Set)] to add a check mark ( ✔ ) t

13 Main Features Speedy music production The “S” in Fantom-S stands for its advanced studio functionality and its powerful sampling capabilities. Car

130Editing a Sample Boosting or Limiting the High-frequency Range of the Sample (Emphasis) In some cases, the audio quality will be improved if you

131Editing a Sample Editing a Sample Amp This operation applies an envelope (time-variant change) to the volume of the sample.You can also adjust the

132Editing a Sample Dividing a Sample into Notes (Chop) The chop function divides a sample waveform into separate notes. * The Create Rhythm funct

133Editing a Sample Editing a Sample Auditioning the Divided Samples After dividing the sample, you can press the velocity pads to audition each of t

134Editing a Sample Saving a Sample A newly loaded sample, as well as any changes you’ve made in the settings for a sample will be lost as soon as yo

135 Using the Pads Using the Pads The pads of the Fantom-S function in the same way as the keyboard, and can also be used to play RPS and rhythm patt

136Using the Pads Using the Clipboard to Copy Pad Settings The “clipboard” temporarily stores pad velocity and note number settings. This provides a

137Using the Pads Using the Pads • Note (Pad Note) Specifies the note number of the pad when Pad Set is set to “User.” Value: C-1–G9 • Velocity (Pad

138 Playing Back a Song This chapter explains how you can use the Fantom-S’s sequencer to play back a song. When you play back a song, we recommend t

139Playing Back a Song Playing Back a Song By holding down [SHIFT] and pressing or you can jump to the beginning or end of the song list.If you want

14 Panel Descriptions Front Panel fig.00-01S88 D BEAM You can apply a variety of effects to sounds simply by moving your hand. → (p. 98) ASSIGNABLE

140Playing Back a Song 2. Turn the VALUE dial or press [INC]/[DEC] to set the playback tempo. • If you press [7 (Click)] to display the check mark (

141 Recording Songs Recording Songs This chapter explains the procedure for using the Fantom-S’s sequencer to record a song. Normally, when recording

142Recording Songs If you are recording to a phrase track, see “Recording Your Performance as You Play It (Realtime Recording)” (p. 142). Specifyin

143Recording Songs Recording Songs ValueMIX: Mix-recording will be carried out. Normally, you will record using this method. If a performance has al

144Recording Songs AUTO PUNCH: Auto punch-in recording will be performed. You must pre-specify the area (punch points) in which recording is to take

145Recording Songs Recording SongsShuffle Resolution When you are using Shuffle Quantize, make this setting to specify the note value used for quanti

146Recording Songs Inputting Data One Step at a Time (Step Recording) Step Recording is the method of inputting notes and rests individually, as if

147Recording Songs Recording Songs • Step Back Cancel the previously input note. • Tie Extend the length of the previously input note by the current

148Recording SongsAssigning a Pattern to a Phrase Track You can create a song by combining previously recorded patterns. This is done using step reco

149 Editing Songs Editing Songs This chapter explains the procedure for editing songs. Loading the Song You Want to Edit When you edit a song, you’r

15Panel Descriptions [REC] The display changes to the Recording Standby window. Æ (p. 142)If you press this during recording, the Rehearsal function

150Editing Songs Using Different Sound Generators for Each Track By specifying the output destination for each track, you can use a variety of sound

151Editing Songs Editing Songs Moving to a Locate Position Use the following procedure to change the song location to a Locate Position. 1. Access th

152Editing Songs 3. Press or , and then press [8 (Exec)] to select the desired function. Quantize ➝ p. 152Erase ➝ p. 154Delete ➝ p. 155Copy ➝ p. 155

153Editing Songs Editing Songs SHUFFLE: Shuffle Quantize will be applied to recording. Use this when you want to produce a “shuffle” or “swing” rhyt

154Editing Songs Timing (Quantize Timing) This specifies how much a note will move toward the timinginterval of the template you pick. At a setting o

155Editing Songs Editing SongsRange Min, Range Max If you have set the Status parameter to “NOTE,” “P.AFT,” “C.C,” or “PROG,” specify the range. Set

156Editing Songs REPLACE: Musical data in the copy destination will be erased (i.e., overwritten) when the copy takes place. Only the sequencer data

157Editing Songs Editing SongsTrack / Pattern (Source Track) Sets the phrase track(s) or pattern that is to be transposed. ValueALL: Phrase Tracks 1–

158Editing Songs Changing the MIDI Channel (Change Channel) This function transfers the MIDI channel of a specified area of sequencer data into a dif

159Editing Songs Editing SongsMagnify Set this parameter if you wish to increase or decrease durations by a specified ratio. When set to “100%,” no c

16Panel Descriptions Rear Panel fig.00-02fig.00-03 POWER ON Switch Press to turn the power on/off. → (Quick Start; p. 4) AC Inlet Connect the incl

160Editing Songs Status Selects the type of data to be extracted. ValueALL: All types of sequencer data NOTE: Note P.AFT: Polyphonic Aftertouch C.C:

161Editing Songs Editing Songs • To shift all notes or polyphonic aftertouch data, set “Range Min” to “C -1” and “Range Max” to “G9.” To shift C4, se

162Editing Songs Adjusting the Song’s Playback Time (Time Fit) This function calculates the playback time of a song or allows you to modify the tempo

163Editing Songs Editing Songs 7. Press or to select the performance data that you want to edit. 8. Press or to select the parameter that you want

164Editing Songs • If the pattern called by the Pattern Call message extends beyond the last measure of the song, the pattern playback will be interr

165Editing Songs Editing Songs Inserting Sequencer Data (Create) You can insert new sequencer data into a desired location of a phrase track or patte

166Editing Songs Copying Sequencer Data (Copy) Sequencer data can be copied to the desired location. This is convenient when you want to use the same

167Editing Songs Editing Songs Changing the Time Signature Midway Through the Song If you want to change the time signature midway through the song,

168 Saving/Loading a song (SAVE/LOAD) Songs you record are initially held in internal memory. A song in internal memory will be lost when you turn of

169Saving/Loading a song (SAVE/LOAD) Saving/Loading a song (SAVE/LOAD) Saving a Song (Save Song) Here’s how to save the internal song with the curren

17 Overview of the Fantom-S Overview of the Fantom-S How the Fantom-S Is Organized Basic Structure Broadly speaking, the Fantom-S consists of a contr

170Saving/Loading a song (SAVE/LOAD) Saving a Song as an SMF File (Save as SMF) Here’s how to convert and save an internal song as an SMF file. 1. F

171Saving/Loading a song (SAVE/LOAD) Saving/Loading a song (SAVE/LOAD) Loading a Song with Samples (Load Song+Samples) Here’s how you can load a song

172 Playing a Phrase at the Touch of a Finger (RPS Function) The RPS (Realtime Phrase Sequence) function lets you assign patterns to the keyboard,

173 Playing a Phrase at the Touch of a Finger (RPS Function) Playing a Phrase at the Touch of a Finger (RPS Function) • Velocity Sens (Velocity Sensi

174 Playing a Phrase at the Touch of a Finger (RPS Function) Recording a Performance Using the RPS Function A performance that uses the RPS function

175 Adding Effects Adding Effects This section explains the procedures and settings for applying effects in each mode. For details of the Fantom-S’s

176Adding EffectsSignal Flow Diagram and Parameters fig.14-04 Part Select Select the part for which you want to make settings. Value: KBD, PAD Tone

177Adding Effects Adding EffectsMFX Output Level (Multi-Effects Output Level) Adjusts the volume of the sound that has passed through the multi-effec

178Adding Effects Applying Effects in Performance Mode In Performance mode you can use three multi-effects (MFX1, MFX2, MFX3), one chorus, and one r

179Adding Effects Adding EffectsMFX Type (Multi-Effects Type) Use this parameter to select from among the 77 (Fantom-S88; 78) available multi-effects

18Overview of the Fantom-S LFO (Low Frequency Oscillator) Use the LFO to create cyclic changes (modulation) in a sound. The Fantom-S has two LFOs. Ei

180Adding Effects assigned to one of the parts, select the part number. Value: PRF, P1–P16 Chorus Source Selects the chorus parameter settings that

181Adding Effects Adding Effects Making Multi-Effects Settings (MFX Control) fig.14-07a_50 For details on the setting, refer to “Making Effect Sett

182Adding Effects Specifying the multi-effect structure (MFX Structure) Here's how to specify how MFX 1–3 will be connected. * This parameter i

183Adding Effects Adding Effects You can use the REALTIME CONTROL knobs to edit up to four of the most important parameters, which have been pre-sele

184 Transferring Data to/from Your Computer via USB The Fantom-S allows a USB-connected computer to handle files stored in the internal user memory o

185Transferring Data to/from Your Computer via USB Transferring Data to/from Your Computer via USB Importing Audio file (Import Audio) Here’s how t

186Transferring Data to/from Your Computer via USB Canceling USB Communication Windows Me/2000/XP Users 1. Use the device eject button shown in the t

187 File-Related Functions (File Utility) File-Related Functions (File Utility) Here you can perform a variety of operations related to the files sto

188 Settings Common to All Modes (System Function) Settings that affect the entire operating environment of the Fantom-S, such as tuning and MIDI mes

189 Settings Common to All Modes (System Function) Settings Common to All Modes (System Function) Functions of System Parameters This section explain

19Overview of the Fantom-S Overview of the Fantom-S Part On the Fantom-S, a “part” is something to which you assign a patch or rhythm set. Patch mode

190 Settings Common to All Modes (System Function) System Ctrl Sys Ctrl 1–4 Source System Control Assign selects the MIDI message used as the System

191 Settings Common to All Modes (System Function) Settings Common to All Modes (System Function) Arpeggio/Rhythm Sync Switch Specifies whether the a

192 Settings Common to All Modes (System Function) MTC Error Level Determines how often the reception status is checked when MTC is being received fr

193 Settings Common to All Modes (System Function) Settings Common to All Modes (System Function) Remote Keyboard Sw (Remote Keyboard Switch) Set thi

194 Settings Common to All Modes (System Function) Preview Preview Mode SINGLE: The notes specified by Note Number 1–4 parameter will sound successiv

195 Settings Common to All Modes (System Function) Settings Common to All Modes (System Function) Sampling Default File Type Specifies the file forma

196 Data Management FunctionsReset to Default Factory Settings (Factory Reset) Basic Procedure 1. Press [MENU]. 2. Press or to select “Utility.” 3.

197 Playing in Piano Mode Playing in Piano Mode The Fantom-S88 has a Piano mode that use the instrument as a dedicated piano. This chapter explains

198Playing in Piano Mode Adjusting the Keyboard Touch (Key Touch) You can vary the touch of the keyboard when you play thekeys. 1. In the Piano Mode

199 Using Fantom-S Editor Using Fantom-S Editor To help you take even greater advantage of its functionality, the Fantom-S comes with Fantom-S Editor

This product complies with the requirements of European Directives EMC 89/336/EEC and LVD 73/23/EEC.For EU CountriesFor CanadaThis Class B digital a

20Overview of the Fantom-S Temporary Memory Temporary Area This is the area that holds the data for the patch or performance that you’ve selected usi

200Using Fantom-S Editor System Requirements (Mac OS) • Operating System:Mac OS 8.6 and 9.x• CPU/Clock:PowerPC G3 / 233 MHz or higher• Memory (RAM):1

201 About V-LINK About V-LINK What is V-LINK? V-LINK ( ) is a function that provides for the play of music and visual material. By using V-LINK-compa

202About V-LINK V-LINK Parameters Note Tx Ch Value: 1-16MIDI channel that will switch Edirol DV-7PR clips/palettes and will control dissolve time. C

203 Installing the Wave Expansion Board Installing the Wave Expansion Board Up to three optional Wave Expansion Boards (one SR-JV80 series, two SRX s

204Installing the Wave Expansion Board 3. There are four slots inside. As shown in the following illustration, plug the connector of the Wave Expansi

205 Installation de la carte d’expansion Wave Installation de la carte d’expansion Wave Un maximum de trois cartes d’expansion Wave (quatre cartes SR

206Installation de la carte d’expansion Wave 3. Il y a quatre emplacements à l'intérieur. Comme le montre l’illustration ci-dessous, branchez le

207 Expanding the Memory Expanding the Memory The Fantom-S/Fantom-S88 comes with 32 MB of memory into which audio samples can be loaded. However, in

208Expanding the Memory 4. Paying attention to the location of the notch on the memory module and the orientation, insert it vertically within the gu

209 Ajouter de la mémoire Ajouter de la mémoire Précautions à prendre lors de l’ajout de mémoire 901 (F) • Veuillez suivre attentivement les instruc

21Overview of the Fantom-S Overview of the Fantom-S How Effects Units Work in Different Modes In Patch Mode The multi-effects, chorus and reverb effe

210Ajouter de la mémoire 4. Prenez bien note de l’emplacement et de l’orientation de l’encoche du module de mémoire et insérez-le verticalement à l’i

211 Troubleshooting Troubleshooting If the Fantom-S does not function in the way you expect, first check the following points. If this does not resol

212Troubleshooting When I play the keyboard, notes do not stop. Is the pedal polarity of the Hold Pedal reversed?Check the Hold Pedal Polarity parame

213Troubleshooting Troubleshooting Issues Related to Effects Effects not applied. Check the following points.• The “MFX,” “CHO,” “REV” or “MASTER” ef

214TroubleshootingIssues Related to Sequencer Song data does not play back correctly Check the following points.• Has the Receive General MIDI/Genera

215Troubleshooting Troubleshooting sequence data?Avoid overlapping data with the same timing by setting an offset of 1–2 clocks instead. Data may eas

216Troubleshooting External input sound is not stereo/is not monaural Check the following points.• Stereo Switch parameter (p. 120) may be set to mon

217 Specifications Specifications Fantom-S/S88: Synthesizer Keyboard (Conforms to General MIDI 2 System) Keyboard [S] 61 keys (with velocity and chan

218 Index Numerics [4 (Mark Clear)] ...123[4 (Mark Clr All)] ...

219Index Index Count in ...143Create ...

22Overview of the Fantom-S Tempo Track The Tempo track records tempo changes of a song over time. It can be used for tempo changes during a song. If

220Index FXM Depth (tone) ...45FXM Switch (rhythm wave) ...

221Index Index Mark Clr All ...123Mark Set ...

222Index P Pad Common Velo ...137Pad Common Velocity ...

223Index Index Phase lock switch (performance) ...90Phrase loop ...

224Index Reverb Output Assign (patch) ...177Reverb Output Assign (performance) ...

225Index Index Source 1–4 ...181Split Frequency High .

226Index TVA envelope time 1 velocity sensitivity (tone) ...54TVA envelope time 1–4 (rhythm tone) ...

This product complies with the requirements of European Directives EMC 89/336/EEC and LVD 73/23/EEC.For EU CountriesFor CanadaThis Class B digital a

InformationWhen you need repair service, call your nearest Roland Service Center or authorized Roland distributor in your country as shown below.As

23Overview of the Fantom-S Overview of the Fantom-S About the Sampling Section The Sampling section samples (records) external sounds from an audio d

24Overview of the Fantom-S Basic Operation of the Fantom-S Switching the Sound Generator Mode The Fantom-S has two sound generating modes: Patch mod

25Overview of the Fantom-S Overview of the Fantom-S Moving the Cursor A single screen or window displays multiple parameters or items for selection.

26 Playing in Patch Mode In Patch mode, the keyboard and the pads are each used to play a single sound (patch/rhythm set).The keyboard controller sec

27Playing in Patch Mode Playing in Patch Mode Functions in the Patch Play screen fig.02-01.e Selecting a Patch The Fantom-S has eight patch groups, i

28Playing in Patch Mode 1. Press [PATCH/RHYTHM] to access the Patch Play screen. fig.02-00a.e 2. Press [1 (Kbd Part)] or [2 (Pad Part)] to move the c

29Playing in Patch Mode Playing in Patch Mode fig.01-18_50 To switch groups, press [1 ( ⇑ )] [2 ( ⇓ )].By Pressing [7 (Preview)] you can audition the

3 USING THE UNIT SAFELY 001 • Before using this unit, make sure to read the instructions below, and the Owner’s Manual. ...

30Playing in Patch Mode The following categories can be selected. Registering a Favorite Patch (Favorite Sound) You can bring together your favorite

31Playing in Patch Mode Playing in Patch Mode Registering Favorite Rhythm Sets (Favorite Sound) You can bring together your favorite and most frequen

32Playing in Patch Mode Transposing the Keyboard in Semitone Steps (Transpose) Transpose changes keyboard pitch in units of semitones.This function

33Playing in Patch Mode Playing in Patch Mode Creating Smooth Pitch Changes (Portamento) Portamento is an effect which smoothly changes the pitch fr

34Playing in Patch Mode Assigning a Parameter to a Controller Here's how to specify the parameter that will be affected when you operate a contr

35Playing in Patch Mode Playing in Patch Mode When you press [7 (Panel View)], the Panel View screen will appear, which displays the above parameters

36Playing in Patch ModeD Beam (Assignable) By assigning a variety of functions to the D Beam controller you can apply different effects to the sound

37Playing in Patch Mode Playing in Patch Mode Switch fig.02-26_50 For details on the setting, refer to “Assigning a Parameter to a Controller” (p.

38Playing in Patch Mode 1. Press [PATCH/RHYTHM] to access the Patch Play screen. 2. Press [1 (Kbd Part)] or [2 (Pad Part)] to select the pad part or

39 Creating a Patch Creating a Patch With the Fantom-S, you have total control over a wide variety of settings. Each item that can be set is known as

4USING THE UNIT SAFELY 015 • Do not force the unit’s power-supply cord to share an outlet with an unreasonable number of other devices. Be especially

40Creating a Patch 9. If you wish to save the changes you’ve made, press [WRITE] to perform the Save operation (p. 42). If you do not wish to save ch

41Creating a Patch Creating a Patch Cautions When Selecting a Waveform The sounds of the Fantom-S are based on complex PCM waveforms, and if you atte

42Creating a Patch Saving Patches You’ve Created (Write) Changes you make to sound settings are temporary, and will be lost if you turn off the powe

43Creating a Patch Creating a Patch Functions of Patch Parameters This section explains the functions the different patch parameters have, as well as

44Creating a Patch fig.Stretch.e Analog Feel (Analog Feel Depth) Specifies the depth of 1/f modulation that is to be applied to the patch. (1/f modu

45Creating a Patch Creating a Patch Modifying Waveforms (Wave) fig.03-15_50 For details on the setting, refer to “How to Make the Patch Settings” (

46Creating a Patch Changing How a Tone Is Sounded (TMT) You can use the force with which keys are played, or MIDI messages to control the way each To

47Creating a Patch Creating a Patch fig.Struct-10 This type passes the filtered sound of each tone through a ring modulator to create new overtones,

48Creating a Patch Key Fade Lower (Keyboard Fade Width Lower) This determines what will happen to the tone’s level when a note that’s lower than the

49Creating a Patch Creating a Patch Modifying Pitch (Pitch/Pitch Env) fig.03-16_50 For details on the setting, refer to “How to Make the Patch Setti

5 IMPORTANT NOTES 291b In addition to the items listed under “IMPORTANT SAFETY INSTRUCTIONS” and “USING THE UNIT SAFELY” on pages 2 and 3, please rea

50Creating a Patch higher than C4 to have increasingly shorter times, and negative (-) settings will cause them to have increasingly longer times. La

51Creating a Patch Creating a PatchCutoff Frequency ★ Selects the frequency at which the filter begins to have an effect on the waveform’s frequen

52Creating a Patch Resonance V-Sens (Resonance Velocity Sensitivity) This allows keyboard velocity to modify the amount of Resonance. If you want str

53Creating a Patch Creating a Patch Adjusting the Volume (TVA/TVA Env) fig.03-18_50 For details on the setting, refer to “How to Make the Patch Sett

54Creating a Patch fig.Pan KF.e Random Pan Depth Use this parameter when you want the stereo location to change randomly each time you press a key.

55Creating a Patch Creating a Patch Output Patch Out Assign Specifies for each patch how the direct sound will be output. Value:MFX: Output in stereo

56Creating a Patch Modulating Sounds (LFO) fig.03-19_50 For details on the setting, refer to “How to Make the Patch Settings” (p. 39). An LFO (Low

57Creating a Patch Creating a PatchDelay Time KF (LFO1/LFO2 Delay Time Key Follow) Adjusts the value for the Delay Time parameter depending on the ke

58Creating a Patch ● Apply the LFO immediately when the key is pressed, and then gradually begin to decrease the effect fig.LFO-2.e Fade Mode: ON >

59Creating a Patch Creating a PatchPortamento Switch Specifies whether the portamento effect will be applied (ON) or not (OFF). Value: OFF, ON Porta

6 Contents USING THE UNIT SAFELY...3IMPORTANT NOTES ...

60Creating a Patch Miscellaneous Settings (Misc) fig.03-13a_50 Tone Delay Mode Selects the type of tone delay. ValueNORM: The tone begins to play af

61Creating a Patch Creating a PatchTone Env Mode (Tone Envelope Mode) When a loop waveform (p. 41) is selected, the sound will normally continue as l

62Creating a Patch Matrix Control 1–4 Source Sets the MIDI message used to change the tone parameter with the Matrix Control. ValueOFF: Matrix contr

63Creating a Patch Creating a Patch ● Changing the TVF Envelope TVA ENV A-TIME: Changes the Env Time 1 parameter of the TVA envelope. TVA ENV D-TIME:

64 Creating a Rhythm Set With the Fantom, you have total control over a wide variety of settings. Each item that can be set is known as a parameter

65Creating a Rhythm Set Creating a Rhythm Set 2. Press [EDIT], and then press [3 (Zoom Edit)]. The Zoom Edit screen will appear. fig.04-10c_50 3. The

66Creating a Rhythm Set Cautions When Selecting a Waveform The sounds of the Fantom are based on complex PCM waveforms, and if you attempt to make se

67Creating a Rhythm Set Creating a Rhythm Set 6. Turn the VALUE dial or use [INC][DEC] and [2 ( ⇑ )] [3 ( ⇓ )] to select the write destination and rh

68Creating a Rhythm Set Tone Name (Rhythm Tone Name) You can assign a name of up to 12 characters to the rhythm tone. Value: space, A-Z, a-z, 0-9, !

69Creating a Rhythm Set Creating a Rhythm SetWave Group Select the groups containing the Waves comprising the rhythm tone. ValueINT: Waveforms stored

7Contents Creating a Rhythm Set...64 How to Make the Rhythm

70Creating a Rhythm Set Changing How a Rhythm Tone Is Sounded (WMT) The WMT (Wave Mix Table) uses key velocity to control the four waveforms assigned

71Creating a Rhythm Set Creating a Rhythm SetVelo Fade Upper (Velocity Fade Width Upper) This determines what will happen to the tone’s level when th

72Creating a Rhythm Set P-Env Level 0–4 (Pitch Envelope Level 0–4) Specify the pitch envelope levels (Level 0–Level 4). It determines how much the p

73Creating a Rhythm Set Creating a Rhythm Set Cutoff V-Curve (Cutoff Frequency Velocity Curve) Selects one of the following seven curves that determi

74Creating a Rhythm SetTVA Tone Level (Rhythm Tone level) Sets the volume of the rhythm tone. Use this parameter to adjust the volume balance betwee

75Creating a Rhythm Set Creating a Rhythm Set Output Settings fig.04-15a_50 For details on the setting, refer to “How to Make the Rhythm Set Setting

76 Playing in Performance Mode A performance contains settings that apply to each individual part, such as the patch (rhythm set) assigned to each pa

77Playing in Performance Mode Playing in Performance Mode Functions in the PERFORMANCE Layer/Mixer Screen fig.05-02.eIndicates the key range in which

78Playing in Performance Mode Selecting a Performance The Fantom-S has two performance groups, including the User group and Preset groups, with each

79Playing in Performance Mode Playing in Performance Mode Registering a Favorite Performance (Favorite Sound) You can bring together your favorite an

8Contents Making Realtime Controller Settings...101Using a Pedal

80Playing in Performance Mode fig.01-18_50 To switch groups, press [1 ( ⇑ )] [2 ( ⇓ )].By Pressing [7 (Preview)] you can audition the sound of the pa

81Playing in Performance Mode Playing in Performance Mode Using the Mixer Screen Selecting a Part The currently selected part is called the “current

82Playing in Performance Mode Selecting the Rhythm Set 1. Press [MIXER] to access the Mixer screen, and use [CURSOR] to move the cursor to the follow

83Playing in Performance Mode Playing in Performance Mode Viewing the Part Settings as a List (Performance Part View) In Performance mode you can vi

84 Creating a Performance With the Fantom-S, you have total control over a wide variety of settings. Each item that can be set is known as a paramet

85Creating a Performance Creating a PerformanceMute Switch Temporarily mutes ( ✔ ) or releases the mute (OFF) for the Performance of each part.Use th

86Creating a Performance[3 (Pitch)] fig.06-21_50 For details on the setting, refer to “Adjusting the Parameters of Each Part” (p. 84). Part Octave

87Creating a Performance Creating a Performance [4 (Offset)] fig.06-22_50 For details on the setting, refer to “Adjusting the Parameters of Each Par

88Creating a Performance Keyboard Range Upper (Part Keyboard Range Upper) Specifies the highest note that the tone will sound for each part. Value:

89Creating a Performance Creating a Performance [7 (External)] fig.06-24_50 For details on the setting, refer to “Adjusting the Parameters of Each P

9Contents Editing a Sample ...122 Selecting a Sample

90Creating a Performance Ext Pan (External Pan) If you want Pan messages to also be transmitted when you select a Performance, specify the desired va

91Creating a Performance Creating a Performance Selecting the Parameter Controlled by the Realtime Controllers or D Beam Controller (Control Setting

92Creating a Performance Control Knob (Control Knob Switch) Specifies whether each part will be controlled by the control knob. Value: OFF, ON Make

93Creating a Performance Creating a Performance OSC1 Sync Switch Turning this switch on produces a complex sound with many harmonics. This is effecti

94Creating a Performance Type (Assignable Type) Specifies the function controlled by the D Beam controller. ValueCC01–31, 33–95: Controller numbers

95Creating a Performance Creating a Performance Tempo fig.06-28a_50 For details on the setting, refer to “Selecting the Parameter Controlled by the

96Creating a Performance Initializing Performance Settings (Init) “Initialize” means to return the settings of the currently selected sound to a sta

97Creating a Performance Creating a Performance 5. When you have finished inputting the name, press [8 (Write)]. A screen will appear, allowing you t

98 Modifying the Sound in Real Time You can use the D Beam controller, realtime controllers, assignable switches or a pedal to modify the sound while

99Modifying the Sound in Real Time Modifying the Sound in Real TimeAssignable Type Specifies the function controlled by the D Beam controller. ValueC