Roland V-Synth Especificaciones descargar pdf (Pagina 50)

S o u n d D e s i g n e r s ’ C o m m e n t

Hans-Joerg Scheffler

240:OTODAMA-East meets west

The V-Synth is a great tool to create ethnic type sounds out of

rather conventional sources like a piano multi sample. Otodama

means the spirit of sound and I felt inspired by the name to use

the piano waveform and see if I can turn it into a different

instrument.

Oscillator one plays the sample in reverse and creates the body

of the new sound.

Try setting the time to -39 and the envelope amount to a value

of 63 to change the character of that OSC into a more brasslike

tone. OSC2 uses another piano wave and provides the attack of

the sound. Time is set to zero to freeze the waveform and the

envelope modifies that so we get a very fast attack followed by

a frozen sustain. Try experimenting with setting time to -63 and

change the envelope shape and amount.

Use the formant to control the amount of overtones in the

sound.

223:Cutting Edge

223:Cutting Edge combines a PCM wave and an analog

waveform for the best of both worlds.

Try to change the waveforms for different results. This patch

uses the dual filter for COSM1 with a release time that is shorter

than the release time of the TVA to produce an audible release

noise like on a harpsichord or clavinet.

It's a simple trick but helps a lot to simulate the sound of a

plucked string.

255:V-ocoder

255:V-ocoder sounds like a sideband filter but it isn't. This

patch uses the ring modulator and LFOs to create a pulsing

sound that has a breathy quality like a drum loop animating a

vocal sample. Change the pitch of OSC2 for some tonal changes.

COSM1 is using the wave shaper to tame the sound of OSC1.

Try different waveforms for the shaper for different results.

009:Phraselab

009:Phraselab uses the attack menu waveform and the

arpeggiator to create wave sequences.

Time of OSC1 is set to zero and is controlled by an S&H LFO to

create periodic changes.

Try different LFO waveforms, rates and offsets for different

results. The attack and sustain menu waveforms are a great

source for giving patches an always changing character as they

provide a different waveform for every key. In their original form

every key is tuned to the same pitch which can get a bit boring.

Activate ROBOT to have the pitch of these waveforms follow the

keyboard. Now you can play melodies that have a different

sound on every note.

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