Roland V-Synth Especificaciones descargar pdf (Pagina 7)

A revolutionary leap in sound

creation potential!

— Sampling and audio transfer —

When shipped from the factory, the V-Synth contains 324 different

waves. You can also sample sounds from a mic connected to the

input jack or from a CD player connected to the optical connector,

and you can use up to 999 different waves. The V-Synth is

awesomely powerful as a stand-alone instrument, but also

provides an interface for connection to your computer, opening up

unlimited creative possibilities that can go far beyond your current

sound sources.

Sampling functionality that lets you add

waves without limit!

The V-Synth provides both analog and digital inputs. Both optical

and coaxial digital input jacks are standard. A wide range of

sample rates including 44.1 kHz, 48 kHz, and 96 kHz are

supported. Naturally, you can apply VariPhrase to the waves you

sample. Original vocals, scat vocals, guitar performances and more

can be synthesized with independent pitch/time/formant control,

delivering immense impact! By radically extending the playback

time of a sound, you can find gorgeous sound textures in unlikely

audio sources such as the tick-tock of a clock, the plop of a drop

of water or the click of a camera!

fig.optical

Audio transfer lets you exchange waves and

patches with your computer

The V-Synth has a USB connector that lets you exchange audio

files and other data with your computer. Both Windows and

Macintosh are supported, and no driver installation is required.

Just use a single USB cable to connect the V-Synth to your

computer, and it is recognized as a hard disk drive. As with other

drives, you can drag and drop files to copy them. It only takes a

moment to back up patch data or save waves sampled by the

V-Synth onto your computer. Sound data you’ve created using your

computer-based sequencer or loaded from commercially-available

royalty-free sampling CDs can also be imported into the V-Synth.

In addition to taking full advantage of the wave data you already

have built-in, this lets you use the V-Synth to synthesize any sound

in the world!

fig.samp1

➝ “Backing Up your Data” (p. 40)

IInn oorrddeerr ttoo uussee tthhee VV--SSyynntthh aass aa UUSSBB MMIIDDII ddeevviiccee ffrroomm

yyoouurr ccoommppuutteerr,, yyoouu mmuusstt ffiirrsstt iinnssttaallll tthhee UUSSBB MMIIDDII DDrriivveerr..

Resample the phrases you play!

Phrases you play or generate using the arpeggiator can be layered

to create loop sequences, and then resampled. You can also use

the D Beam or TimeTrip Pad to create extreme tonal changes, and

resample them. Already-staggering sounds can then be processed

even further by VariPhrase to produce unimaginably radical

results! You can create without being hampered by limitations or

conventions.

fig.resample

➝ “Advanced Sound Programming” (p. 28)

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